I shared with them Klay Thompson 37 Points In A Quarter 60 Points On 11 Dribles 14 Threes In 26 Minutes 41 Points 11 Threes shirt how my partner Calvin and I were recently walking around Harlem taking photos, and came upon the only remaining Kangol hat store in the world. I’m not a hat person at all, but I had a Kangol beret I used to wear backwards with overalls and a velvet shirt silk screened with Our Lady of Guadalupe when I was first exploring my creative self in the early 1990s, right after I left my marriage and was about to turn 40. (The shirt was a nod to my preoccupation with Frida Kahlo after a trip to Mexico, but I digress.) The point is that when I walked into that store, I was transported back to that time. I heard the music and remember the galleries I went to, the classes I took and the books I read. So I try to explain to the students that it’s not that I need to wear exactly what I wore then, but clothes that evoke feelings and memories I felt. An approach to style that comes from our unique identities can convey a sense of time and place. And an article of clothing or an accessory contains history; it is a device that one can use to tell a story, one that is as different as the people who put it on.
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That is Klay Thompson 37 Points In A Quarter 60 Points On 11 Dribles 14 Threes In 26 Minutes 41 Points 11 Threes shirt until Jackie Kennedy moved in. “She employed a very famous Parisian designer to gussy up the house and make it a real Frenchie, and the design community went bananas. After that we had to throw it all out and start again,” Apfel said. Apfel never really retired — she once called retirement “a fate worse than death” — though life was somewhat slower in 2005 when she was approached by New York’s Metropolitan Museum of Art about staging an exhibition of her accessories. She was in her early 80s at the time, and curator Harold Koda had heard she had one of America’s best collections of costume jewelry. Initially, Koda asked for accessories and jewelry, then for five full outfits, Apfel wrote in her book, “Accidental Icon: Musings from a Geriatric Scarlet.” By the time Apfel, Koda and his Met museum staff had finished exploring her labyrinth wardrobe, cupboards and storage boxes, they left with 300 outfits and hundreds of accessories. The exhibition, “Rara Avis (Rare Bird),” was the first time the museum had paid tribute to a living woman who was not a fashion designer. It was a hit and Apfel was lauded worldwide as a style icon.